Daily Digest | |
- In the House, Stupidity Reigns
- On Crime and Policing, Delusion Reigns
- The Drama in Congress Right Now [Updated]
- Sunday morning coming down
- Election Challenges, Then and Now
| In the House, Stupidity Reigns Posted: 03 Jan 2021 04:16 PM PST (John Hinderaker) When the House of Representatives opened its session today, the invocation was delivered by Democratic Rep. Emanuel Cleaver, who I take it has been ordained as a minister. This is his conclusion, in which he invokes “the monotheistic God Brahma,” if I am hearing it right. (I know it makes no sense, but that is not the point for now.) Cleaver concludes–I kid you not!–with “Amen and Awomen.” I guess this is part of Nancy Pelosi’s new, gender-free House rules:
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| On Crime and Policing, Delusion Reigns Posted: 03 Jan 2021 03:57 PM PST (John Hinderaker) I wrote here about the latest “police shooting” in Minneapolis, which took place on Wednesday night. Multiple police vehicles pulled over a young man named Dolal Idd, who was on probation for firearms violations, and officers told him to get out of his car. Instead, he tried to drive away. When blocked, he opened fire on the police and, it appears from video footage, narrowly missed one of them. The police returned fire and Idd was killed. You can see the whole thing at the link on a body cam video that has already been released. Demonstrators gathered on the night of the incident and blocked off a street for several blocks while building a bonfire in the middle of the road. I am not aware of any riots over the last few nights, which most likely reflects the weather rather than any sensible evaluation of the incident by potential rioters. On Friday, the Somali newspaper in the Twin Cities, Sahan Journal, published an article on Idd’s death that can fairly be described as delusional. It began with an incendiary account of the fact that some hours after the shooting, police officers executed a search warrant at the home of Idd’s parents. Presumably this had something to do with the cause of Idd’s apprehension, which has not yet been made public, although there have been references to a weapons investigation. But that isn’t the worst of it. The Sahan account is willfully vague, if not misleading, on what happened Wednesday night:
The last paragraph amends the original version of the Sahan Journal article, which quoted Idd’s father to the fact that in the past, Dolal had only minor legal issues involving traffic violations. In fact, he was on probation for his 2018 weapons violations. At that time, his mother said that he was barred from their home because “he scares the children.”
It was obviously a gunshot. Idd fired first, and the officers had no choice but to return fire. But if you are a Somali living in the Twin Cities, this basic fact is obscured. The Journal then quotes multiple sources who are critical of the police, including City Councilman Jeremiah Ellison:
This is downright sinister. Ellison doesn’t offer a “strategy to preserve life” when a criminal suspect opens fire on police officers. I don’t think there is one. And Ellison’s observation that “any Black person with a gun seems especially vulnerable to being killed by police” is bizarre. That observation is true when the black person not only has a gun, but, as in this case, uses it to try to kill police officers. If a suspect does that, he can expect “knee-jerk escalation,” which evidently means he will be shot at by officers who probably are more skilled with firearms than he is. Of course, we hear from the usual community activists, including unindicted co-conspirator CAIR:
I have no idea what “justice for Dolal Idd” might mean. Something other than police officers defending themselves, evidently.
When a criminal suspects shoots at you, it is “evil” to shoot back? That actually is the narrative that the Left peddles. Maybe someone out there believes it. We live in strange times.
“Activists” would prefer that criminals run rampant in their own communities, committing crimes and perpetrating violence with no effort by law enforcement to combat them. This is why “activists” speak for few minority residents of the Twin Cities, or anywhere else. The Dolal Idd case is a clear-cut instance of police acting in self-defense, protecting themselves against an armed criminal suspect who has opened fire on them. No sensible person, having watched the body cam video, would disagree. And yet, members of the local Somali community are being misled by outlets like the Sahan Journal, which pretends that the most significant aspect of the Idd case is the fact that police officers executed a search warrant, and pretends further that law enforcement is somehow to blame in Idd’s death. Meanwhile, Branco drew this cartoon for Alpha News:
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| The Drama in Congress Right Now [Updated] Posted: 03 Jan 2021 09:39 AM PST (Steven Hayward) As I write, the House of Representatives has started a quorum call to assemble the new Congress for 2021. As has been remarked, there is some unpredictability this year because of COVID and the slim margin of the Democratic House majority. It is not a certainty that Nancy Pelosi will be the next Speaker. Chad Pergram of Fox News has a terrific Twitter thread on the scene up right now, called his “Hitchhiker’s Guide to the New Congress,” that I have unrolled for easier reading:
UPDATE:
FURTHER UPDATE by JOHN: Pelosi has been re-elected Speaker with 216 votes to 209 for Kevin McCarthy. Five Democrats declined to vote for Pelosi, but none of them voted for McCarthy. |
| Posted: 03 Jan 2021 05:35 AM PST (Scott Johnson) Putting an exclamation point on the year from hell, I want to note the death of the musician Tony Rice on Christmas day. Tony was a musician’s musician. Alison Krauss testified in some detail to his impact on her last month before he died (I quote her toward the bottom of this post). She is representative of a couple generations of our best musicians. Rice struggled with health issues that first prevented him from singing and then impaired his playing for too many years, but his death represents an enormous loss to American music. Stacy Chandler’s No Depression obituary “Iconic Bluegrass Guitarist Tony Rice Dies at Age 69” provides biographical background. David Morris collects tributes to Rice from “his peers” (I would say he was peerless, but that’s nitpicking). When Rice was inducted into the International Bluegrass Hall of Fame in 2014, the New York Times published a moving account that foreshadowed his death last month. As a long-time fan I feel his loss keenly. When I discovered bluegrass and wanted to catch up on what I’d been missing, I turned to Rice's Bluegrass Album Band. In addition to his lyrical and inventive playing, he sang with a warm baritone voice that I loved. These are a fan’s notes. Rice was a champion of what I now think of as heavy metal, the real deal. Every one of the aggregations Rice played in or formed was a supergroup. He was an incomparable guitarist and early proponent of the newgrass movement that brought elements of jazz and swing into traditional American music in the early 1970’s. It took a high level of musicianship to keep up with him. Rice made a big splash early in his career with J.D. Crowe and the New South in 1974. Crowe's New South included Rice, Ricky Skaggs, and Jerry Douglas, all budding stars. The AllMusic review by Thom Owens puts it this way:
“Ten Degree and Getting Colder” is one of the two Lightfoot songs included on that album. Rice was searching for a combination of jazz and swing with traditional American music that he heard in his head. He found it with virtuoso mandolinist David Grisman and the David Grisman Quintet in 1975. He stuck around long enough to contribute to their debut album in 1977 along with Darol Anger on fiddle, Bill Amatneek on bass, and Todd Phillips on mandolin. This is the instrumental “E.M.D.,” composed by Grisman. The sound Rice had heard in his head manifested itself on vinyl in Manzanita (1979). Here is the title track. In 1980 Rice took a step back to team with Ricky Skaggs for an album of traditional music. This is “Bury Me Beneath the Willow Tree.” Rice’s vision of newgrass came to fruition on Backwaters (1981). Rice called it spacegrass. With a hat tip to John Coltrane, here is the group’s take on “My Favorite Things.” Rice was a mainstay in six Bluegrass Album Band albums in the 80’s. They stylishly recapitulated and updated the bluegrass canon for a new generation and for newcomers like me. “Model Church” is from their fist album (1981). “Age” is by the late Jim Croce and his wife Ingrid. This track comes from the Bluegrass Album Band’s fourth (1984). Rice also fronted the Tony Rice Unit while releasing albums in his own name. “John Hardy” comes from his 1984 album Cold on the Shoulder. See Alison Krauss’s comments on the album below. Among the musicians backing Rice on the album’s tracks are Sam Bush on mandolin, Vassar Clements on fiddle, J. D. Crowe on banjo, Jerry Douglas on dobro, Béla Fleck on banjo, Bobby Hicks on fiddle, Rice’s brother Larry Rice on mandolin, and Todd Phillips on bass. The album is full of highlights. The traditional song “John Hardy” is one. “Muleskinner Blues” is another. You may want to search out the rest on YouTube. Here is the title track (by Lightfoot) drawing on the fantastic Unit lineup for a live festival performance.
Rice followed up with Me and My Guitar in 1986. He covered Lightfoot’s “Song For a Winter’s Night” accompanied by Jerry Douglas (dobro), Mark Schatz (bass), and Jimmy Gaudreau (mandolin). Tony was backed by the same group on Native American in 1988. I love their version of Lightfoot’s “Shadows.” Rounder Records ultimately collected 17 recordings of Lightfoot songs by Rice in 1996 on the aptly named Tony Rice Sings Gordon Lightfoot. Lightfoot provides a thread through his career. Here we see the Tony Rice Unit’s popular take on the old Delmore Brothers number “Blue Railroad Train,” live on American Music Shop in the early 90’s. Rice’s original recording of the song goes back to Manzanita. Rice performed live at the 1993 Merlefest accompanied by Mark O’Connor on violin, Jerry Douglas on dobro, Sam Bush on mandolin, Bela Fleck on banjo, and Mark Schatz on bass. That is one incredible lineup and this is one formidable version of “Freeborn Man” by Keith Allison and Mark Lindsay (of Paul Revere and the Raiders). The awestruck appreciation of this performance by Fil of Wings of Pegasus is the last video in this post. Rice, Rice, Hillman & Pedersen is another supergroup of which Rice was a prominent member. They released three compact discs. Their version of the Chris Hillman/Steve Hill number “Change Coming Down” comes from their second, Out of the Woodwork (1997). By this time Rice had given up singing as a result of the disorder affecting his vocal cords. Chris Hillman is on the lead vocal. Tony Rice is on lead guitar. Larry Rice adds the mandolin part. Herb Pedersen is on banjo and harmony vocal. Alison Krauss has performed with Rice occasionally over the years. Whole concerts are preserved on YouTube. In 1990, when Alison was all of about 19, she performed a live version of “John Hardy” with Rice, Grisman, and J.D. Crowe as one of the Rounder All Stars. In 2007 she toured with Rice for two months and stated without qualification that his music is her “favorite music ever recorded.” Alison invited Rice to sit in with her Union Station outfit in 2011. You can’t see Tony’s solo, but you can hear it and “hear” his fingerprints all over this beautiful arrangement of Lightfoot’s “Shadows,” introduced by Sam Bush and Rice. Both Jerry Douglas and Alison spoke about Tony’s influence in the introduction to “Sawing on the Strings” from that 2011 session.
Early last month before Rice’s death the Guardian captured Alison’s recollection of Rice’s initial impact on her:
RIP. NOTE: The video below provides an appropriately awestruck appreciation of the Merlefest performance of “Freeborn Man.” If you’re still with me, you may want to take this in as well. |
| Election Challenges, Then and Now Posted: 02 Jan 2021 06:57 PM PST |
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